This means you can use it with almost any classic cinema lens, of which there are many to choose from. The FX30’s 6K APSC sized sensor delivers really good oversampled 4K from a scan area very similar to super 35mm film. But as well as the low price I also I really like the fact that it is super 35 rather than full frame. If you want the same handle as the FX3 with XLR inputs, add another approx $500 to the base price.
At around $2000 for the body only you get a lot of camera for the money. I shot various circus acts with the FX30.įor a start it’s cheap.
By the end of the weekend of testing I decided to get one for myself even though I already own an FX3 and FX6. I used it over a long weekend to shoot some circus acts and to perform some basic tests. Please watch the video to see my video review or read on:Ī few weeks ago I borrowed an FX3 from Sony for some testing in order to better understand the performance of this budget Cinema Line camera.
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